Cartoon City.

Cartoon City is a lie because it denies the intrinsic tragedy of the world. Cartoon city ignores the fact that life is brutally unfair for the sake of displaced fiction. Everything returns to cartoon and farce, even death.

The people of cartoon city have chosen illusion over reality. Everything from relationships to the environments built for them, the citizens of Cartoon City deal with substitutes. Though watching a film or soap opera about relationships could never come close to what it feels like to forge real meaningful relationships with people, just as watching the sunset on a television cannot compare to the sensation of watching a real sunset.

Cartoon City presents a spectacle for a population rife with suffering, hardship, loneliness and isolation, and at the same time, reinforces these things. The overwhelming scale of Cartoon City, with its mammoth building projects, huge facades, and the vast distances in-between things, had crushed the human spirit, and denies its citizens the power to act alone or act together.

DongGuan Dérive.

I arrived at the bus station in DongGuan around 1pm. It looked liked it was going to rain. Maybe just a shower, nothing too serious.



I walked towards the mamouth South China Mall. Currently the worlds largest shopping mall. Though when i visited it last summer to shoot some video footage, it was completely devoid of shops (except for a small department store.)



Very little had changed. Maybe one or two new shops had recently opened, but i think there seemed to be less people walking around compared to last year.



The whole mall is like an enlarged 4D cartoon.



Clowns are surposed to be entertaining, though they turn out to scare people. This kind of place is the same. It was built to entertain, to be fun. But is depressing and mournful somehow.



My camera ran out of batteries. So i went to the only department store to buy some more.



I felt hungry, and ate at the only place open that served food; McDonald's.



God this place was barren. Like a post-apocalyptic worldscape, where people once wandered and bought shampoo and slippers.



I had to leave.



The surrounding area looked very typical of Chinese suburbia. Similar in some ways to American suburbia. Possibly as alienating. But different, more high density.



I spent at least 3 or 4 minutes trying to cross the road.



I walked towards a store called Metro, which i also visited last summer. China currently seems to have a penchant for building such 'big-box' stores. B&Q and WalMart have also invated China.



Metro sells everything in bulk. I got stared at by the shop assistants for taking pictures, and carrying a large back pack that could be used to stuff full of bags of washing powder. Maybe the store assistants were just bored. I would be in their position.



I still thought it might rain, so i bought an umbrella. I walked outside and walked up what looked like a cul-de-sac with a demolition zone on one side and at the end, and apartment buildings on the other side.

I walked to the end of the road, where there was some farming going on, and lots of rubble. Despite the big supermarket chains moving into China, many of the Chinese still grow their own food on allotments. Maybe this has something to do with the famine of the 50's, or general paranoia about food security. After all, 1.5 billion people is alot of mouths to feed in a single country, and will become increasingly difficult in the future. Food prices have skyrocketed in the last 2 years, crop yields are down, and there are already people going hungry.



I walked down the sidewalk that ran along the never-ending line of apartment blocks trying to look for DongGuan's downtown city-center skyline.

Walking in China can be a bizarre experience. The pedestrian is dwarfed by everything, even the plant pots and street lamps.



I give up looking for the skyline. Chinese cities generally have no single area with tall buildings. Chinese cities are only and all tall buildings. So i wave for a taxi.

I spent 5 minutes trying to explain that i wanted to go to the downtown, the main street etc. etc. but the taxi driver just shouted things in Chinese. I called my assistant; Jenny, to help. She explained to the driver where i wanted to go.



20 minutes later i wondered if the taxi driver was lost, taking me to a downtown in another city, taking the long way around to clock up as many miles as possible, or if the downtown really is this far away. I guessed the last. Chinese cities are vast. Especially DongGuan, which appears to suffer from suburban sprawl more than any other Chinese city i have visited.



Eventually he dropped me off in the 'main area' of the city, which looked from my window to be a collection of elaborate shopping malls and colourful ginormous billboards.



I walked up to one of the malls, where a boy in a fluorescent orange polo shirt offered me a voucher to a fitness club.



I walked towards what looked like a subway entrance, which turned out to be the entrance to an underground mall. I took the escalator down, had a look, and decided to turn back.

I walked alongside a wall covered in mobile phone numbers. The unemployed (this part of China has many at the moment) post up or paint their mobile numbers everywhere incase an employer is looking for labour.



It seemed as if DongGuan was built for clowns. Every building was adorned with the same gaudy primary colours and oversized ornaments usually found in children's nursery schools. Why did everything looks so childish?

I explored a huge courtyard parking lot. Again there were oversized toys everywhere.



I walked towards what looked like a factory, but got shouted at by a security guard. I turned back and entered a shopping mall.



This mall was full of shops selling furniture and home appliances. I walked into a chandelier shop, took some pictures, and got asked to stop. I find it frustrating to be constantly asked to stop taking pictures, due to the fear that i might want to copy and sell what i'm photographing, especially in a country that plagerizes everything.



I crossed the road, and entered another shopping mall. Malls in China generally contain one or more supermarkets. This one had two. I entered Carrefour, and walked around.



Chinese supermarkets are always littered with advertisements and cardboard arrangements promoting new products that in the 'West' are dull, but to Chinese customers are new oddities.



I left the supermarket and walked towards what appeared to be a collection of pseudo-'European' buildings. I passed a number of businesses catering to cars.



The pic-and-mix collection of European buildings turned out to be yet another mall.



This one was certainly more decrepit, even more so than the South China Mall.



Next to the mall was probably the largest apartment building i've ever seen. I wondered what it would feel like to live in a tiny container in such an enormous building.



I realized quickly that most of the mall was vacant. That it obviously wasn't a place worth caring about, like many of the places that have been build during the past 50 years. Such places in China are commonly referred to as 'face-projects'; usually ambitious building projects pioneered by a wealthy city official with wild ideas and tax revenue at his disposal, built with an ego, but without keeping in mind how people will actually live with such a project, how it will be carried forward into the future, how it will interact will other surrounding buildings and spaces, and how it actually feels to live, shop, work or even walk through such a place. City officials in China are not elected and do not have voters to please, so they can do whatever the hell they want.



I continued walking, and reached a network of apartment buildings that seemed at least 40 years old, which appeared rare for DongGuan. I walked down one of the alleyways, and peered through a few windows and observed families as they held BBQ's outside.



I reached a dead end, and turned back on myself, to exit onto a main road. This always surprises me in China, how one minute you can be amongst little alleyways and children playing and old women hanging out washing, and then suddenly your out on a main road with thousands of cars and strip malls and neon lights.



I passed yet another 'European' themed shopping mall. I didn't go inside. Surely such places have been built for their aesthetic abilities to lure people to them, though they appear clownish and cartoonish. I generally feel places like these chip away at our dignity day after day, until we stop caring.



I continued down the road towards a number of giant balloons in front of a furniture supercentre.



I went into the furniture center, and got waved at by two young women who spoke English. They asked me to take a tour of the shop with them. They took me around and showed me a variety of furniture and appliances. Fake fruit and bread and animals were everywhere. They gave me a business card.



I walked along one of DongGuan's main thoughroughfares. Either side there was development going on; new tarmac been layed, apartment blocks been constructed, workmen painting and sanding.



I crossed the road, and was faced with yet another shopping mall, this one adorned with gaudy ornaments and oversized models of consumer products.



I was hungry, and dinned on noodles in a Yunnan restaurant, where i flicked through golf magazines from 2007 and 2008.



Upon exiting the restaurant i realized it had become dark, and so i decided to leave the city center, and head back to the coach station in a taxi. The taxi ride only took 10 minutes. I realized that earlier on in the day i had been ripped off, and had probably been taken around the city in a loop to rack up as Yuan on the meter as possible.



I arrived back at the South China Mall, which was now lit up with neon signs.



I walked back to the coach station along the highway and construction wastelands of half finished fake-Bavarian style apartment blocks. The huge neon sign for the South China Mall produced an immense purple glow of light pollution in the humid air, like some alien spacecraft that landed on a hundred foot high plinth.



I arrived at the coach station at 7:35, bought a ticket back to Foshan for 7:50, and waited for my bus.

Interview with Nicholas McGeehan.

Who is building Dubai?

Physically, migrant workers from South Asia, who represent 80% of the work force. Dubai has been dependent on them since oil was found in the 1960’s, up until the 2000’s.

What do the migrant workers generally experience in Dubai?

They experience quite appalling hardships to be quite honest. As soon as they arrive their passports will be confiscated, their visa cost will be added onto their expenses, their contract will be ripped up, and they will get paid half of what they were expected to be paid. They essentially find themselves in a condition of debt bondage. They find themselves completely dependent upon their employers for food, for healthcare; so if that employer chooses not to treat them properly they find themselves in dire straits.

Can you describe some of the problems the migrant workers face?

The biggest problem they face is that if their employer doesn’t treat them properly, if their employer doesn’t pay their wages for months at a time for example, there is nothing they can do about it; they would have to make a complaint to a ministry of labour, which is completely inefficient. Therefore any grievances they have, the system is not set up to deal with them at all. And when the situation gets as bad as their not been paid, they do have food, their accommodation is unsanitary, they are left with no options what so over. They are abandoned by everyone, all of the time.

Do you think the labour situation in Dubai, represents a new form of slavery for the twenty first century?

I absolutely do believe that. Slavery has been misconceived ever since it was abolished. We talk about slavery as something that is based on ownership, but that’s from a model that’s centuries old, when states used to monitor and regulate it. Slavery is about control, and it’s always been about control. Ownership used to be a way of affecting control, it’s no longer because it’s illegal. So when you take the factors together to what happens to the migrant workers in Dubai, the fact that employer-ship is tied to one employer, that there are no trade unions, that striking is banned, and the debt bondage they are in, collectively without a doubt in my mind, represents a form of control that is a form of slavery.

Has progress been made in recent years?

The government in Dubai talks a lot. It pledges a lot, and sets out initiatives, they have their photos taken and so on. Though the facts on the ground would indicate that things have actually got worse. The United Arab Diram is tied to the US Dollar. With the US Dollar falling so low, real wages went down, also inflation started to become a factor in the UAE even though it never has been before. So their real wages were dropping and dropping and dropping, which actually led to an upsurge in worker protests. The government dealt with those like it deals with most things; incompetently or violently. It deported people and jailed people, and all these people were asking for was a fair wage to live on. So the situation has got worse not better, despite the governments claims.

How are tourists visiting Dubai not aware of these circumstances?

I think if you look closely then you see the problems in Dubai. A questioning individual might ask to know more about the problems visible in Dubai, but somebody in Dubai for a week who is experiencing a five star experience doesn’t want to know that there might be problems, people don’t want to feel burdened or guilty on holiday. Tourists don’t want to ask questions that might lead them to answers that would suggest that they should not be there.

Some people aren’t always aware there are these issues concerning the exploitation of migrant workers in Dubai. If they are aware, then they should take a look at themselves. I don’t want to make judgements. I know people who go to Dubai, and they are good, hardworking, honest individuals… But you could draw a parallel with people who had gone on holiday to apartheid South Africa.

The question remains though is how do we raise awareness that there is systematic racial discrimination going on in Dubai and the rest of the UAE.

This is a question about sustainability. During my trip in Dubai constantly people would mention that in 2008 Dubai became a sustainable city. I didn’t see this from an environmental perspective. I didn’t see this from a social or cultural perspective, hence the treatment of migrant workers, and the polarities between rich and poor. Nor did I see this from an economic standpoint. That’s not really a question, but could you comment?

Often what I say to people is if you think of Dubai as a company rather than a state, its a lot easier to explain what goes on there…. And as a company, as a brand, as a project; what ever you want to call it; It got a little fat on its own greed. And like any company that behaves like that, it’s going to go bust if it doesn’t exercise some responsibility in the way it operates. That’s what’s happening in Dubai. Dubai is not sustainable. It’s not sustainable from an economic standpoint, from a social standpoint. Its sustainable politically, but only by means of force. The notion that it’s environmentally sustainable is ludicrous. I mean the amount of desalination that goes on there, that actually results in serious harm to the gulf. I think people in Dubai are the highest users per capita of water in the world. Plus I dread to think about the amount of petrol that is being pumped out of the place. So that’s a preposterous notion. It’s simple not sustainable and it’s not being sustained.

I thought Dubai was less of a city in the traditional sense, and more of a collection of stranded assets, gated communities and isolated architectural events that refer more to globalized economic forces as opposed to localized interests. Do you think a civilization has been created in Dubai? Can a civilization be created there?

I don’t think they’ve created a civilization, and I don’t think they’re on their way to creating one. The whole place is based on racial discrimination, whether the government will admit that or not. So if the civilization they’re trying to create is a social one then they’ve failed. If they’re trying to create a civilization of business, again it harks back to the idea of Dubai not really being a state, but been more of a company run for private gain. If they’re trying to create this global brand, this global city based around tourism… then I’m not sure how you can do that properly without having the proper social foundations in place.

I would like you to touch upon the topic of tourism and the tourist a little bit more. I personally felt Dubai existed for the tourist, that it was built for tourists, which I feel is unprecedented in human history. I mean tourists in the literal sense, and tourists on a different level; a city of refugees, floating populations, business travellers, people on temporary contracts and visa’s etcetera. Do you think this represents the future?

I think you’re quite right to say that the city was conceived and designed for tourists. Does that represent a model for future cities? I don’t believe so. The majority of people don’t go back to places that pop up over night. I think once people start to see the reality of Dubai, and the cruelty involved in building it and maintaining it; tourists will generally walk away from it. It doesn’t really have anything to offer but shopping and hotels, and there are places that do that better, and there are places that will continue to do that cheaper than Dubai

Do you think Dubai is the future? Do you think it represents the future of urbanism?

I really hope Dubai is not the future. I think Dubai represents the worst excesses of capitalism, with none of the checks and balances we associate with a democracy. If Dubai is the future then we are all in for bad times ahead.

I don’t know what exactly they are trying to achieve. When the Sheik talks about how Dubai is the future; who does he intend to live in this future, who’s going to work there, and what are they going to do? Right now it’s a mess; it’s a miss management on an appalling scale. I’m not sure exactly what the Sheiks vision is for Dubai. The question is; can a desert state built for the tourist be the future of urbanism? I’m guessing not. He may achieve it one day, but it’s not a future I would like to be in.

Interview with Mohammad Masad.

Can you describe the social mix In Dubai.

The people who live in Dubai represent one of the most complex and diverse mixes of people anywhere. There are approximately 200 different nationalities that live in Dubai. The people come from all over the world. This mix of population can really be broken down into two different communities; the first one is the Emiratis who are the original indigenous population of Dubai, and the second major group is the expat community. The largest group amongst the expatriate community is from South Asia, especially India.

What factors have brought global attention to Dubai?

Dubai has grown to become a global city. The reasons for people coming here can be traced within the global context of free trade, cheaper air travel in recent years, the free-ing up of visa restrictions; basically globalization. There are always opportunities here, plus there are no taxes, which makes it a very attractive place to come to. This is not just specific to Dubai though; internationally in recent years we have witnessed the mass movements of people from rural areas into cities in search of new opportunities, people moving across borders from country to country who are not grounded in any locality. If you look at the residents of the city, that the majority of the people that live here are not permanent citizens, it is a transient population. People come here to experience the modern marvels that have been created in Dubai; whether it be an indoor ski slope, or group of man made islands, or a rotating hotel. In addition to this you can buy almost anything you want.

Another reason as to why people are interested in Dubai, has to do with the crisis of the ‘Dubai Ports World’ that happened about 3 years ago. A major Dubai company acquired the rights to control 6 US ports, and that created a political storm in the United States, and Congress was generally opposed to it, and so Dubai has become a recognizable name in the US and around the world, as a major emerging city.

Can you expand on the importance of shopping in Dubai?

For people who live in Dubai, perhaps the centre of activity is the shopping mall. There are now 45 malls here, shopping has become a major activity, the city is like a giant shopping mall in itself. This has two sides to it. The shopping mall is where tourists spend a lot of time, and for people who live in the city, the shopping mall has become the public place of congregation. It is the most experienced public space in the city. The reason for this is the lack of actual investment in real public places outside of the private shopping mall. If you live in Dubai, there are hardly any other public spaces to go and meet people.

In this sense Dubai is not radically different to other cities around the world, where shopping malls have become primary public spaces. To understand the significance of the shopping mall in Dubai, we have to keep in mind the changing image of the public space globally. Many cities invested in creating artificial environments for people that are safe, consistent, clean and generally pleasant to be in. Like many citizens in cities across the world, people in Dubai have become primarily consumers, there has certainly been a shift in recent years from being a citizen of a country to becoming a consumer of the world.

What does this say about human activity around the world? That people are living in gated compounds and environments and when they want to interact with other people they get in their car and drive to a mall or theme-park, without ever really interacting with nature?

The city has always been a place that represents civilization, and its importance has relied on the premise of interaction with other people. The interesting thing about Dubai is that this interaction is extremely limited. So the question remains; is Dubai really a city? I’ll give you an example; I’ve lived in this compound for 7 years, there is no social life here, there is no real community, I don’t know my neighbours, they don’t know me. People live here to do there job, they don’t live here to be part of a community. It’s transient; people live here for a few years and then move on.

The interaction with nature here is equally as problematic, as you look around there is less and less nature that you can authentically experience. The front beach areas in Dubai have become private beach areas, managed and run by hotel resorts. Unless you are a guest at one of the luxury hotels you cannot get onto the beaches. There is not much public beach that is left.

The fact that your missing these two essential things as a resident of Dubai; both interaction with other people, and interaction with nature it says something about a new kind of city, a new kind of urban life, in which much of our life is encapsulated within enclosed environments whether its your apartment or villa, car or shopping mall, office, or restaurant. There is very little authentic urban experience left.

Interview with George Katodrydis.

Could you describe Dubai as an urban format.

Dubai is a fascinating city, and a lot of people would not guess so in the sense that it is a planned city. The first master plan of Dubai happened in 1959, and it has been planned since then in a really visionary way. The only problem is that these plans have not been finished to their end, so a lot of the city feels half finished. At the beginning of the 21st century, Dubai is a strange city, because it’s a fragmented. The fragments and pieces of the city are really well organized, but there is no coherence as a whole. In that sense it presents a problematic city of the 21st century, built out of nowhere in the middle of nowhere, that will be difficult to sustain in the future.

Do you see Dubai’s urban format as unique, or do you think it represents a new urban format that is taking shape in cities around the world?

Dubai is a generic city, in the sense that well rehearsed urban theories and urban plans are being executed. It is very similar to other cities that have been emerging in the last 10 years. So in that sense it lacks historical uniqueness. I think what makes it fascinating is the speed and type of decision making that its leaders have applied here. The city is certainly changing on a yearly basis.

How important has the tourist been in shaping Dubai?

To look at the geographic location of Dubai, it really is a fantastic place, and it’s always been a place of transit, whether with traders, business travellers, desert nomads or tourists, people arrive here on route to somewhere else, but lately Dubai has been a final destination for many individuals. Projections say that by 2010, 15 million tourists will visit Dubai, which is an incredible amount of visitors. Its interesting to note the geographical location of Dubai, in-between the two emirates of Abu Dhabi and Sharjah. Dubai’s coast is about 45 kilometres in length in-between the two other Emirates, which is not very long. But with Dubai’s new prosthetic extensions been built out into the water such as ‘The World’, and the ‘Palm Islands’, that coastline of 45 kilometres has now expanded to 2000 kilometres. This interface of land and water, will become an enormous line of resorts, and hotels and hotel villas.

Dubai really does have this ephemerality. Nobody actually knows the living population of Dubai. On the other hand nobody can really predict that lifespan, and sustainability of such developments, on again something ephemeral which is tourist, whether they are here for 1 day or 1 month, they are considered temporary in Dubai. In a fascinating way the contemporary tourist trade here, fits very well with the history of Dubai. It is a nomadic city, and has always been a nomadic city.

How significant is the process of theming in the construction of Dubai’s built landscape?

Because the city is so new, and if you study the recent history of the city, you will come across archive photographs from the 50’s and 60’s when Dubai was just a small fishing village. It was not until the late 80’s, long after the discovery of oil, that the city expanded into becoming more modernized and westernized. For the contemporary traveller the city is a very interesting place to arrive, because one expects to find an identity, one expects to find the Arab city. When you arrive in Dubai at the beginning of the 21st Century, there is really very little history to see. What the city has managed to do in an amazing way, more than the theming of Las Vegas, is to re-enact its lost identity, by introducing anything that has been relevant in the Arab world in terms of history, whether this is the traditional village, souk or street bazaar, or a kind of re-enactment of Orientalist paintings. This can be an interesting way to inject a lost nomadic identity in the city ready made for touristic consumption. Dubai offers what a European or American expects to see in an Arab city. It is selling back to the west its own invented fictional imagings of Arabia depicted in Orientalist paintings. It is selling very well. For a Western tourist this Arabian identity constructed in developments throughout the city, is a really critical point of engaging with a locality.

One of the ambitions of the city is to make Dubai the capital of the world by the year 2050. It has to become a very global, a very international city in order to achieve this goal. The borrowing of theming from Venice and California and so on became a very fascinating political decision that is interfacing with an urban master plan solution. Given the global condition in the 21st century, of the tourist and investor who can built across the world without any limitations, somehow Dubai found this unique formula to attract both investors and buyers to consume this global vision that anything is architecturally possible.

Are there problems with Dubai’s built landscape and infrastructure, and if so how can they be resolved?

There are problems, not because of lack of planning, but because of the city’s inability in being able to adapt and change its plans. The city has been making decisions too fast in such a way that the city’s infrastructure has been unable to adjust. As they say ‘you built it and they come’ of course they build it and they do come, but then there are issues of congestion, and increased energy and water demands that become issues.

Where does Dubai currently stand on sustainability?

Development takes place here for investors and not necessarily for the end user. Because of this, the immediate and sensitive issue of sustainability is not addressed, partially because it will add an extra cost to the construction of a project. This means the initial investment for the investor will be higher, even though the running cost from solar power for example, would be lower for the end user. For an investor who is interested in building a property, selling it and making a profit quickly, is generally not interested in environmental sustainability. It is unfortunate that the city has developed without been sustainable but the government is becoming more sensitive towards this issue as people within the city are demanding that changes be made. We will achieve environmental sustainability, seen as in this part of the world we get more sunshine than anywhere else, that we can utilize, and convert into solar energy.

Where do you see Dubai in the future?

It’s a very interesting question. Certainly in the last 10 years, Dubai has placed a lot of emphasis on positioning itself as a global centre, and has had to be very flexible in changing its political decisions. The projection of its future, through a city of fantasy, of architectural renderings, in the middle of nowhere; it will sell itself as a utopian futuristic hybrid of West and East. Dubai uses the internet to communicate its imagery. I call this satellite urbanism; all of these amazing projects currently in development, people can view as drawings and simulations on the internet. Dubai really is a 21st Century Internet city in that sense. Dubai has managed to be one of the most spoken about places in the world.

Kowloon to Guangzhou.

On the 12^th of June, 2008, I took the bullet train from Kowloon to Guangzhou, passing through Hong Kong’s New Territories, Shenzhen, Dongguan, and into the satellite towns of Guangzhou. Despite this list of separate cities, I never really claimed a sense of leaving the city. Occasionally an area of green space or a mountain peak would appear surrounded by a crown of high rise apartment blocks, that could constitute a ‘countryside’ of sorts.

The brutal spectacle of Southern Guangdong Province seemed to be one vast mega city the size of Sussex, connected by highway belts, sky walkways, and wires pinned together and stringed along the buildings and the railway tracks. This cityscape appeared from the window like a cartoon that repeats its backdrop with a running character in the foreground.

A sense of leaving one city and entering the next was provided by the downscaling of buildings from office space, to apartment blocks, to a cluster of factory parks dispersed with landfill, before reaching another collection of factory parks, to apartment blocks to office space and so on.

I spoke to no one on the journey, except for the waitress who was handing out bottles of mineral water and packets of pretzels to anyone who wanted them.

"Symbols of the West, and the Process of Modernity in the Reinvention of the Chinese City."

Writing a dissertation is a lengthy process. I must have started to think about the essay I recently finished about 7 months ago, whilst in China. First came the idea; ok so I’m fascinated by the phenomena of Western themed developments being built within Chinese cities. Second came reels and reels of film, tapes of video footage, and photographs of these places, to solidify how I would go about articulating the aesthetics of these places I had visited. Third came research and reading on everything from the theme park to postmodernism to theories about non-place, in order to give the dissertation some contextual foundation. Fourth came tutorials with my dissertation tutor, David Green, who is a renowned author and theorist. Fifth came writing writing writing, and lots of proof reading. Link to the finished dissertation coming soon....

Dubai is 'Dubailand'.

I was in Dubai last week, on a short 7 day trip to shoot a documentary on the city’s development. Usually before I visit a place, and especially when I’m visiting a place to shoot or photograph for a documentary, I’ll do my research, and by this I mean read up on everything that has been written theory wise about a specific place. Making a documentary on suburban sprawl in Kansas City was fine, you could fill a library with the writings of critical and social theorists who have written about the American metropolis, aka Kunstler’s The Geography of Nowhere and Soja’s Postmodern Geographies. Visiting China during summer 2008 to record the phenomena of ‘Western’ themed gated communities, theme parks and shopping malls was also fine, as there has recently been a whole host of texts published on China’s current urban revolution, such as Campanella’s The Concrete Dragon and Oakes’ Tourism and Modernity in China. Though developing a prior theoretical foundation on Dubai was a difficult case. This is possibly due to the fact that Dubai is very much a work in progress, and constructing a definite theory on such a city in flux is difficult at this time.

But maybe this state of flux is an appropriate place to start. Dubai is certainly transient, a city of tourists, business travelers, nomads, migrant workers, and refugees? Only the original Emirati’s are card-carrying citizens, they account for around 10% of the population. The other 90% is a floating population, individuals in Dubai on a temporary visa. Is this the future, one must ask? A demolition of citizenship, and therefore the responsibility that citizenship once subsumed, for you immediate surroundings, for each other, for the planet? According to Sheik Zayed, the ruler of Dubai, yes, this is the future.

Dubai is the physical manifestation of a mental disorder. A way of approaching urbanism that is so far removed from the natural order of things, from the pedestrian, from community, from interdependency, from culture as opposed to synthesized pastiche, that a collection of ornaments have been arranged, masked as a ‘city’. A city of Orwellian containers, air-conditioned malls that look out onto fake alpine-scapes and plastic botanical gardens, ‘gourmet mansardic’ junk food eateries, stranded hotel complexes, concentration camps for migrant workers, brutal shopping plazas, isolated construction events, and disturbing spectacles of ferocious consumption.

Dubai is everything I am supposed to dislike; shopping malls, no genuine public realm, an overemphasis on commerce and consumption etc. Though somehow I enjoyed Dubai. Self reflective and reflexive. An oasis on the edge of a vast desert. A microcosm of world history, a city for the Internet age, connections replaced by signs and motion. In fact Dubai contains multiples of microcosms; miniature worlds of global culture and recreation, cities within cities, theme parks within theme parks.

Dubailand, a project currently under development by Tatweer, is one such example. Been literally carved out of the desert still within the city limits of Dubai, this theme park of theme parks begs the question if this will become a microcosm of Dubai, or of the world? Standing in the entrance parking lot of Dubailand shooting the vast construction wastelands in the distance, trying to image what this place would look like in 10 years time was near impossible. The scale models in the visitors center certainly helped, even to contemplate the sheer size of this development that stretched the imagination to accommodate the prospect of living in a ‘theme park city’ in a French themed palace, driving to work passing a dinosaur park, a giant spacecraft restaurant attached to a scale replica of a volcano, and spending my weekend leisure time in an ‘authentic’ Swiss mountain resort purpose built on a ski mountain, underneath a mammoth glass dome, for example. This sounded a lot like lifestyle manufacturing, which has come to the praise of many who find the idea of living in a theme park attractive, but also to the criticism of many who foresee the social, cultural and environmental implications of such a development. For me, this project was both attractive and repulsive, how wonderful it would be to live in a bazaar collection of movie sets Truman Show style, and yet such a project made it apparent just how lost we are. Dubailand was the physical manifestation of a post-modern kind of grief, and the desire to capture or aesthetically replicate something that we lost a long time ago. It represented a dying planet been replaced by a false one.